JoonBlog New York

Monday, May 12, 2008

JoonBlog Concert Picks For 05-12-08

Kanye West (click to purchase tickets)
5/13
Madison Square Garden
7th Avenue btwn 31st and 33rd streets
New York, NY

“…West's "Glow in the Dark" tour is the rapper's latest ploy to prove that he is creatively without peer. It's a wildly conceived one-man musical…” [more from the Washington Post]

Joan as Police Woman (click to purchase tickets)
5/14
Mercury Lounge
217 E. Houston St. (corner Ave A & Houston)
New York, NY

“Before striking out on her own as a singer-songwriter, Joan Wasser was a violinist, gigging and recording with Lou Reed, Tanya Donelly, and Antony and the Johnsons…” [more from Rolling Stone]

Kid Rock w/ Lynrd Skynrd (click to purchase tickets)
5/15
Madison Square Garden
7th Avenue btwn 31st and 33rd streets
New York, NY

“Kid Rock announced today that his "Rock And Roll Revival Tour" will continue on through the summer. The first two legs of the revue-style tour -- which has featured guests including Reverend Run, Peter Wolf, and Dickey Betts...” [more from Market Wire]

Monday, May 05, 2008

JoonBlog Concert Picks For 05-05-08

Flight of The Conchords (click to purchase tickets)
5/6 – 5/7
The Town Hall
123 West 43rd Street
(between 6th Avenue & Broadway)
NY, NY

“… Now, less than a year later and hot on the heels of a new record, it looks like the Flight of The Conchords will be playing a handful of dates across the US…” [more from BrooklynVegan.com]

Panic At The Disco! (click to purchase tickets)
5/7 – 5/8
Roseland Ballroom
239 West 52nd Street
(Btwn Broadway & 8th  Ave.)
NY, NY

“Panic At The Disco's "PRETTY. ODD." Is Pretty Huge; Critically Acclaimed Second Album Debuts at #2…” [more from Marketwire.com]

Bruce Springsteen (click to purchase tickets)
5/7 +
Count Basie
99 Monmouth St
Red Bank, NJ 07701

Bruce Springsteen is currently touring arenas, and will present three shows at Giants Stadium this summer. But fans -- the lucky few who are able to get tickets, anyway -- will be able to see him up close and personal at the Count Basie Theatre in Red Bank on May 7…” [more from NJ.com]

Monday, April 28, 2008

JoonBlog Concert Picks For 04-28-08

Feist (click to purchase tickets)
4/29 – 4/30
Hammerstein Ballroom
311 West 34th Street
New York, NY

“Like her 2005 breakthrough Let It Die, Leslie Feist's latest shows how this critics' darling also woos regular folks. She has a sexy, slyly powerful, charmingly…” [more from Entertainment Weekly]

Chris Rock LIVE (click to purchase tickets)
4/29-5/4
Wamu Theater at Madison Square Garden
7th Avenue btwn 31st and 33rd streets
New York, NY

“… He is the Rock who makes people roll - out of their chairs laughing. The "Chris Rock: No Apologies Tour," his first in more than three years, starts a five-night run at Madison Square Garden on Wednesday…” [more from LoHud.com]

Jay-Z & Mary J. Blige (click to purchase tickets)
5/2-5/3 - 5/6-5/7
Madison Square Garden
7th Avenue btwn 31st and 33rd streets
New York, NY

“With a combined 70 million albums sold worldwide and 12 Grammy wins between them, Mary J. Blige and Jay-Z are taking over New  York City at Madison Square Garden… [more from TheGarden.com]

Friday, April 25, 2008

The Five Breakout Bands Of Coachella

So, unbeknownst to me, the Coachella Valley Music and Arts  Festival gets underway today, in Indio, California.  Being that my job (and bank account) restricts my attending this annual  collective of who’s who in the music industry, (literally, most of us ask will  ask, who?) I figured I could keep us all ahead of the curve and let you know  about Style.com's “The Five Breakout Bands Everyone Will Be Talking About Monday”. So take  a gander and then jump on iTunes and give these bands a listen.

1. Name: Santogold (myspace.com/santogold)
  From: Brooklyn
  Playing: Friday
  Sound: Like M.I.A., but  catchier and less political. In other words, way more   commercial—not necessarily a bad thing.
  What people will be saying: Those are some real tight tights. (Also not necessarily a bad thing.)
  What you're missing: "Unstoppable," live in NYC

2. Name: Black Kids (blackkidsmusic.com)
  From: Jacksonville,   FL
  Playing: Friday
  Sound: Soul-powered indie  rock—or as singer Reggie Youngblood puts it in one song, "I get angst in  my pants."
  What people will be saying: That they've had the free download Wizard of Ahhhs EP on their iPod for  months. (Liars.)
  What you're missing: "I'm  Not Gonna Teach Your Boyfriend How to Dance With You," live on Jools Holland

3. Name: MGMT (formally,  "The Management") (whoismgmt.com)
  From: Brooklyn
  Playing: Saturday
  Sound: Tragically hip  psychedelic pop with a sweeping, inspirational tone that's been married to  jaded lyrics. Yes, they're cool kids—you don't learn to write verse like  "I'll move to Paris, shoot  some heroin, and fuck with the stars" by playing Guitar Hero.
  What people will be saying: Wayne Coyne called. He wants his shtick back.
  What you're missing: "Time to Pretend," live on Letterman

4. Name: St.   Vincent (a.k.a. Annie Clark)   (ilovestvincent.com)
  From: Dallas
  Playing: Saturday
  Sound: Jazzy, densely layered  tracks that are seductive even if, on paper, descriptors like  "neo-Feist" and "Björk-inspired" make you gag.
  What people will be saying: That they intend to turn Ms. Clark into the former Ms. Clark.
  What you're missing: "Now, Now," live in Minneapolis

5. Name: Holy Fuck (holyfuckmusic.com)

  From: Toronto
  Playing: Sunday
  Sound: Lo-fi, high-energy  dance that provides an organic alternative to the French robots currently  ruling the genre. We're looking at you, Daft Punk.
  What people will be saying: Toronto:  the new Paris? (Or, as Spin once asked, ecstasy: the new beer?)
  What you're missing: "Lovely Allen," live in Toronto

Read more @ men.style.com

Thursday, November 08, 2007

History Of The Times Square Ball Drop

This year, JoonBug has four New Year's Eve Parties in Times Square. Of course the primary reason to spend New Year's Eve in Times Square is to watch the ball drop. But just how did the ball drop start? (And spawn so many imitators)

People first celebrated New Year's Eve in Times Square around the turn of the 20th century. In 1907 the first New Year's Eve Ball was dropped from the flagpole atop One Times Square. The original Ball was madeof iron and wood and adorned with 100 25-watt light bulbs. It was 5 feet in diameter and weighed 700 pounds. In 1920, a 400 pound iron ball replaced the original.

Since then the ball has seen numerous changes, but it has been dropped every year except for two during WWII.

Wikipedia has a good summary of the different Times Square Balls:

  • 1907 – The New Year’s Eve Ball first descended from a flagpole at One Times Square, constructed with iron and wood materials with 100 25-watt bulbs weighing 700 pounds (318 kg) and measuring 5 feet (1.5 m) in diameter.
  • 1920 – The Ball was replaced with an iron material Ball and weighing less than the original, only 400 pounds (181 kg).
  • 1942 – 1943 – Due to World War II, the descending of the Ball was suspended.
  • 1955 – The Ball gets replaced with a lighter Ball weighing 150 pounds (68 kg).
  • 1981 – 1988 – Due to I Love New York campaign, there are red light bulbs and green stem in a design of an apple.
  • 1989 – The traditional white bulbs again get put on the Ball.
  • 1995 – The Ball gets computerized, aluminium coated, rhinestoned, and has strobe light system.
  • 1999 – The aluminium Ball gets replaced.
  • 2000 – 2006 – The Ball gets an overhaul for the new millennium celebrations with a design from Waterford Crystal and new technology. It weighs 1070 pounds (485 kg), measures six feet (1.8 m) in diameter and installed with 504 crystal triangles, illuminated externally with 168 halogen light bulbs and internally with 432 light bulbs of clear, red, blue, green and yellow colors. Each year there is a theme in the Waterford crystal concept with a particular chunk of designed crystals being called something, and in previous years there have been for example “Hope for Fellowship,” “Hope for Wisdom,” “Hope for Unity,” “Hope for Courage,” “Hope for Healing,” “Hope for Abundance” etc. There are strobe lights and mirrors to create bursts of excitement and special effects for the audience.
  • 2007 – The ball is still a Waterford Crystal ball as in 2000-2006 (described above), but is lit by LED lights provided by Philips instead of halogen bulbs for the 2007 edition and the forseeable future. The ball was redesigned by a New York City lighting design firm called Focus Lighting.

2008 Marks the 100th Anniversary of the Ball Drop, so this year we will be seeing a new ball. The Times Square Alliance reports that it will be quite the spectacle:

The new Times Square New Year’s Eve Ball is more than twice as bright as the old one, with enhanced color capabilities and state-of-the-art LED lighting effects.  Waterford Crystal crafted a beautiful new design for the crystal triangles on the Ball. Philips Lighting provided new solid state lighting technology that substantially increased the brightness, energy efficiency, and color capabilities of the Ball.  And Focus Lighting developed a spectacular and unique lighting design for the new Ball on its 100th birthday.


Click here for a Panorama From Atop Times Square.

Monday, November 05, 2007

Music: R.I.P. OiNK - Chalk Drawn Memorial Spotted In A Brooklyn Bar

When OiNK was shut down a couple of weeks ago net-savvy music lovers were distraught (read about famous OiNK devotee Trent Reznor on NYMag.com). People vented on the web in music forums, and in the comments of popular music blogs. What about a reaction in the physical world? We snapped this picture in Spuyten Duyvil, an excellent beer bar in Williamsburg, Brooklyn (The center of NYC Hipster-dom):

Oinked

Tuesday, July 24, 2007

New York City Honor's The Birthplace Of Hip-Hop - 1520 Sedgwick In The Bronx

The New York Times City Room blog is reporting that the first steps necessary to Landmark 1520--the birthplace of Hip-Hop--have been accomplished:

State officials have determined that a West Bronx apartment building is eligible to be recognized on the state and national registers of historic places as the birthplace of hip-hop.

Senator Charles E. Schumer and Representative José E. Serrano joined tenants today at the building, at 1520 Sedgwick Avenue, to celebrate the determination, which came in the form of a July 5 letter from the State Office of Parks, Recreation and Historic Preservation. Normally, buildings less than 50 years old are not eligible for designation, but there is an exception for structures of “exceptional importance.”

Gothamist provided some historical background back in May:

In 2005, hip-hop pioneers DJ Kool Herc, Afrika Bambaataa, Grandmaster Caz, Melle Mel and more, lent their names and likenesses to a vintage hip-hop clothing company called Sedgwick & Cedar. The press release for the company told this story: "on August 11, 1973, DJ Kool Herc's sister Cindy Campbell decided to throw a back to school party in her building's small rec room at 1520 Sedgwick Ave. Kool Herc introduced extended break beats, which mesmerized the jam packed crowd. Soon, he had to take the party outside and down the street to Cedar Park, drawing thousands throughout the night to see the birth of the art form." From the one building, that art form saturated the world.

Popular NYC Hip-Hop blog Nah Right sums it up best: 1520 Sedgwick = Our CBGB’s.

Monday, July 09, 2007

Blender Mag's '100 Days That Changed Music'

This month's issue of Blender features a list of the 100 Days That Changed Music. While it would be impossible (and pointless) to pick out a few moments, we thought we would look at the New York City-centric moments that made the list. There are, of course, even too many of those to highlight, so we'll keep ourselves confined to the top twenty:

2. August 11, 1973 - Kool DJ Herc invents hip–hop
Aiming to use his budding local rep as a DJ to raise money for back–to–school clothes, the 18–year–old born in Kingston, Jamaica, crammed the rec room of a Bronx apartment complex with paying customers. He earned $500, but Herc’s real achievement was in noticing that people most enjoyed songs’ instrumental breakdowns: He started looping one break endlessly into itself, while rapping friends’ nicknames into a mic. Hip–hop as we know it would flow from that moment: “After that,” Herc tells Blender, “You couldn’t put a cap on it. It was like The Beverly Hillbillies: black gold. And it’s still gushing.”

10. April 26, 1977 - Studio 54 opens
It was the hottest spot of the disco era, a destination where glamorous people, groovy music and tons of white powder joined forces to change celebrity culture forever.

12. February 2, 1976- Ramones make a record
It is a tale told by four idiots, full of sound and fury, recorded for $6,000.
Not that Erdelyi and the Queens, New York, band fronted by singer Jeffrey Hyman (“Joey Ramone”) were idiots.

But if anyone was in touch with their inner idiot it was the authors of “Blitzkrieg Bop,” “Beat on the Brat” and the other mini–songs they put to vinyl.

Their shows at CBGB were 20–minute sets of two–minute songs played in what appeared to be a frantic attempt to get offstage as soon as possible.

22. December 8, 1980 - John Lennon murdered
Never mind what the calendar says: This is the day the ’60s died.

You can read the entire list @ Blender Magazine's Website.

Monday, May 07, 2007

A Summer Concert Series In The Hamptons Not To Be Missed

We all know that for most city-dwellers who make the trek out to the Hamptons, a weekend at the beach is about more than just unwinding by the Atlantic. There are hot nightclubs with their East End outposts, upscale restaurants, wild share houses, and upscale shops. And now, a Summer Concert Series to put all other concert series to shame.

What kind of acts are we talking about? Prince in June. Dave Matthews with Tim Reynolds in July. And then, in August, Billy Joel, James Taylor, and Tom Petty. You're probably wondering how much this all costs, and we'll be honest, it's not cheap.

The concerts will take place at The Ross School in East Hampton, on their beautiful 63-acre property, outdoors in a tent environment.

Tickets will be sold as a SOCIAL Passport package for all 5 events at a total cost of $15,000 ($3,000 per event). This entitles the purchaser one ticket for each event.

If you've got money to burn, and want to see five of the most famous musicians in the world play "an intimate, lounge-style venue," then head over to www.discoversocial.com.

Wednesday, February 07, 2007

Event Preview: Kanye West & Gnarls Barkley Live in Las Vegas (2/14/07)

Live in Vegas? Want an excuse to head out to Vegas? Want to do something different on Valentine's Day? Like, say, see Kanye West & Gnarls Barkley in concert?

The Aladdin Theatre In Las Vegas is home to the Fusion Festival, a two-day East meets West celebration in honor of the Chinese Year of the Pig.

The concert is being taped, and will be broadcast on TV in China, to oh, about 400 million viewers. Be a part of history and help celebrate the Chinese Lunar New Year.

Over at JoonBug you can still purchase tickets--$60 for General Admission and $100 for the VIP Package. And of course, if you're headed out to Vegas, you might as well stick around for All Star Weekend!

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Friday, February 02, 2007

Event Review: Four Scored - The Brooklyn Philharmonic with Nellie McKay, Laurie Anderson, Joan Osborne and Suzanne Vega

The Grey Album, DJ Dangermouse's famous reworking of Jay-Z's Black Album a cappella's, over strings and breaks built from the Beatles' White Album, heralded the emergence of a new mashup culture. Music built from other music, films compiled out of other films, and of course Google Maps combined with all sorts of other data (NYC Subways, Happy Hours and many many more)--they are all part of a revolutionary new form of interconnected expression facilitated by the Internet. Playing on this theme, The Brooklyn Philharmonic Orchestra, a venerable half-century old performance group, put on a show last night featuring four eclectic mainstream artists.

...

Last night the Brooklyn Philharmonic opened their season at the Howard Gilman Opera House at BAM. The historic Opera House, which Jay-Z (who has himself performed with orchestral backing, though not at BAM) recently rocked, is one of the city's greatest venues:

The 1908 building was designed by Herts and Tallant—premier theater architects of the period. Its eclectic Beaux Arts style is also seen in other Herts and Tallant designs in New York, including the Lyceum Theatre and the New Amsterdam Theatre. Featuring polychrome terra-cotta and finished in light-colored brick, the building anchors the Brooklyn Academy of Music Historic District—designated a New York City Landmark in 1978. (NYC.com)

4scored_webThe Four Scored concert is the result of a concerted effort by the Philharmonic--led by charismatic 32-year old conductor Michael Christie--to attract a new, younger audience. Before the show, Paper Mag had this to say: It's totally a ploy to get all us uncultured young whippersnappers to go to the symphony… and it's totally working.

The crowd was an interesting amalgamation of people--each artist had a contingent of fans, along with the crowd who had turned out for the Philharmonic itself.

Nellie McKay was the first to take the stage, and without a doubt the most successful at integrating the orchestra into her set. On It's A Pose, a humorous feminist anti-male screed from her debut album Get Away From Me, she even had Christie do some call-and-response. McKay's entire set exploded with energy and she literally skipped off the stage. She clearly wanted to be here and she clearly enjoyed performing with the orchestra.

Laurie Anderson, an 'experimental performance artist,' followed McKay after a brief set change. After a glowing introduction from Christie, Anderson took to the stage and quickly sucked the life out of the room, asking the audience to Concentrate...Concentrate...Concentrate, against what easily could have been the score to a dark psychological thriller. After having the orchestra turn their instruments into metallic screech producing organs, Anderson performed the next two songs in her set backed only by her own band. As an audience member, you almost pitied Christie, who stood through these songs, watching silently; at least his orchestra sat back, partially out of view. Anderson, who is married to Lou Reed, is well-known and highly respected in certain circles, but it is clear why she has never won mainstream acceptance (though she seems like the type who would abhor such a proposition). Though she did not win the same level of applause as McKay, many in the audience seemed to enjoy Anderson's performance, but that's Brooklyn for you.

Untitled2After intermission--and some much needed scotch--Suzanne Vega took to the stage, breathing some fresh air back into the room. Unbeknownst to the younger members of the audience, Vega released the 'Doo doo doo doo, doo da-doo doo' song, AKA Tom's Diner. The second song in Vega's set featured strings arranged by Philip Glass, which were performed live for the first time last night, which is fitting, as Glass was once one of the Philharmonic's Composers in Residence.

Joan Osborne, the one hit wonder, who asked What if God was one of us, just a stranger on the bus, closed out the concert. Osborne put on a good show, utilizing the orchestra, revealing a strong voice--though everyone was waiting (secretly or not) for her to sing the ten year old song for which she is known.

As a whole the concert succeeded, bringing together a diverse audience and an eclectic group of musicians, exposing everyone to something unique and outside of the familiar. Hopefully the Philharmonic will decide to make Four Scored an annual event.

Brooklyn Philharmonic Upcoming Concerts

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Friday, January 26, 2007

Valentine's Day Party 2007 - New York City (NYC)


It's almost February and that means that it's almost Valentine's Day.

If you don't have plans yet, you better make them soon, because restaurant reservations are impossible, bars will be packed, and if you plan on heading to the right club, you better have a ticket in hand.

What's a young New Yorker to do?

Let JoonBug Productions and Splash Talent & Entertainment take care of everything for you, whether you're single or spoken for.

Come join us on Wednesday the 14th at Duvet for
Valentine's Day 07: From Russia With Love


Show up at 10PM for an hour long Open Bar brought to you by Imerpia Vodka.  DJs Sky Nellor & Rob Flow will be spinning the hottest Hip-Hop, Rock, Top 40, Dance and '80s records.

Tickets are on sale
, and they're going quickly, so get them while you can. VIP tables are available for groups of 2 -10 people. If you're interested, call (212) 255-4223 or click here for more information or to make a reservation.

Duvet is located at 45 W 21st Street (Btw 5th & 6th Ave). If you've never been, check out some photos from past events at Duvet.

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Thursday, September 07, 2006

Event Preview: DJ Krush - live at Irving Plaza - New York (NYC)

DJ Krush
Irving Plaza
17 Irving Place,
(corner of 15th Street and Irving Place)
212-777-6800

Thankfully, DJ music in NYC isn’t all ‘meat packing’ top 40 hip hop and reggaeton mixes.

DJ Krush hits NYC tonight on his North American tour. Check out his tour dates to see if he'll be spinning minds in your hometown.

Krush attacks his decks with instrumental hip-hop beats showered in layers of hard bop, swing, psycho-jazz with such distinct precision and style, it's earned him the title "Godfather of Trip Hop" amongst fans and critics alike.

Hailing from Japan, DJ Krush got his start after seeing NYC's hip hop / graffiti scene as depicted in "Wild Style," which he saw in theaters during the late ‘80s. Almost 20 years later he’s on tour promoting an upcoming “best of” release called Stepping Stones: The Self-Remixed Best, a double LP due out sometime in October.

Krush yet again redefines tradition with this “best of” album by remixing selections from his 8 album deep back catalogue highlighting his career along with some new tracks to keep the edge. Expect collaborative works with the likes of Mr. Lif, The Roots, Mos Def, Zap Mama, CL Smooth, Company Flow, Esthero, Rino & Twigy and Aesop Rock, all of whom at one time or another shared moments on wax with Krush.

Tonight he’s at Irving Plaza and there’s a $20 cover charge. The venue’s not prime, price is questionable, but it’s good turntablism for the soul.

***

It's now the day after. DJ Moi Choi eased attendees with a set of mixes using samples ranging from the Clash to Mates of State. Although certainly head bopping, it’s always been a mystery as to why promoters would book DJs on a stage. DJ Krush solved that mystery in his one hour plus set.

Every movement Krush made on his analogue deck and sampler (no laptop!) created a layer in his signature trip hop soundscape. From the twist of a knob and push of a button to delayed effects on scratches, Krush filled the stage with his ambience and downtempo beats, occasionally building it all up to raging staccato beats. Watching Krush pioneer turntablism on stage is just as satisfying as lounging in a club with good music, maybe even more so.

Wednesday, July 28, 2004

Support Your Local DJs

In most circles, DJing is considered – much like graffiti – an art form. Good DJs are hard to find, but when one of these scratch-masters can flawlessly blend two tracks together, without throwing off the motion of the dance floor for even a second, all the while inserting various samples into the mix at all the appropriate moments, it’s an art. A crude art, sure. But mixing records takes an artistic ear, and creative innovation and experimentation.

While there’s always a fuss made when more-mainstream, nationally-known spinsters like Paul Oakenfold or DJ Clue roll into town to man the ones and twos at some nightclub for an evening, not much is ever made over New York’s very own local vinyl-manipulating talent. New York has always been a breeding ground for upcoming DJs. And why wouldn’t it be? New York’s the birthplace of rap music, and the origin of DJ culture. This city of ours has long been known as a hotbed of musical creativity, no matter what the genre. So, even a brief history of club DJing would need to begin here – back in the pre-disco era of the late 1960s and early 1970s, at the crossroads of African American expressive culture and collectively-realized gay sensibilities, which together formed the core of contemporary social dance culture. Dance music culture, whether associated with disco, club, hip-hop, or house music, has always had its roots in the Big Apple. How fortunate, we are, to have some of the world’s greatest DJs (even if the rest of the world doesn’t know it. . .yet) right here, in our little neck of the woods.

The following’s two lists of New York’s best hip-hop and house DJs, along with where you can go to find them. Of course, these lists reflect JoonBug’s opinion, and you might think we forgot about someone. If so, let us know about it by clicking on the “Comments” link below, and telling us who you’re favorite mix-minister is – we’d love to hear what you think.

Hip-Hop DJs:
10. DJ Ski-Hi (Club NV)
9. DJ Drastic (Flow)
8. DJ Kut (Power 105.1 FM)
7. DJ Exacta (Nocturne, Southampton Tavern, Crobar, Boutique)
6. DJ Blaze (Spirit NYC)
5. DJ Ody Roc (Strata)
4. DJ Unique (XS New Jersey)
3. DJ Riz (KTU)
2. DJ Stretch Armstrong (Lot 61)
1. DJ Spinbad (Power 105.1 FM)

House DJs:
10. DJ Johnny Vicious (Spirit)
9. DJ Ziggy (Avalon)
8. DJ K-Swing (B3)
7. DJ Corbin Dooley (B3)
6. DJ Ricky Corbo (Webster Hall)
5. DJ Powder (B3)
4. DJ Skribbles (Webster Hall)
3. DJ Roger Sanchez (Spirit)
2. DJ Eddie Baez (Black)
1. DJ Jonathan Peters (Spirit)


Monday, June 07, 2004

The Hot Ten: Best Dance Songs

Most of the time, when we hit the clubs, it’s not always to get – as Will Smith once said – “jiggy wit it.” But there are certain songs that, no matter what kind of day we’d had, launch us into a groove mood at the drop of a dime. The following’s a list of some of our favorites. Feel we left one out? Well, please let us know which songs get your booty shaking by double-clicking the “Comments” link below. We’d love to hear from you.

10. David Bowie, “Let’s Dance”
With “Let’s Dance,” Bowie created a stylish, synthesized post-disco dance smash that was equally informed by classic soul and the emerging new romantic subgenre of new wave. This catchy, accessible song, packed with brittle funk, is an oldie that still propels us into dance mode.

9. Deee-Lite, “Groove Is In The Heart”
With the band’s signature hit, “Groove Is In The Heart,” Deee-Lite brought the colorful sights and sounds of New York’s club culture into the mainstream, and single-handedly ushered in the “DJ-as-star” era. The song features one of the best and funkiest bass lines ever heard on the dance floor, and whenever the DJ decides to spin this record, we’re always out there, dancing like it’s nobody’s business.

8. Salt-N-Pepa, “Push It”
As the first all-female rap crew of importance, Salt-N-Pepa broke down several doors for women in hip-hop. This infectious number defies explanation; all we need to hear’s the first few notes, and we’re bumping and grinding with the best. It’s a true testament to Salt-N-Pepa’s genius that, no matter who you’re with, if you simply utter the words, “Push it,” you’re sure to inspire a “P-Push it real good” response.

7. Rob Base and DJ EZ Rock, “It Takes Two”
Without question, Rob Base had the party anthem of 1988 with “It Takes Two,” an insanely contagious rap/dance gem, using a James Brown/Lynn Collins classic of the same name as a reference point. Come on – you know you love it too.

6. KC and the Sunshine Band, “Get Down Tonight”
Sure, it’s the epitome of cheesy, but we simply can’t deny KC’s classic dance masterpiece. It’s fun, captivating, and has enough groove to make us move.

5. 50 Cent, “In Da Club”
The Brooklyn-born Eminem protégé produced one of the hottest club tracks in decades last year, with the release of “In Da Club.” Our one problem with 50 Cent? Corny white dudes like Carson Daly referring to him as “Fiddy.”

4. Anything by Michael Jackson
We’re not going to comment on Jacko’s private life, as such, but when it comes to the performer’s catalog of songs (“Billie Jean,” “Don’t Stop ‘Till You Get Enough,” etc.), who among us can deny the man’s crafted some of the best dance classics?

3. Chic, “Good Times”
There can be little argument that Chic was the disco era’s greatest band. The band’s distinctive approach not only resulted in some of the finest dance singles of the time (i.e.; “Good Times”), it also helped create a template for urban funk, dance-pop, and even hip-hop in the post-disco era. A classic, to be sure.

2. Prince, “Kiss”
“Kiss” stands out as one of the best dance songs of the millennium; even more so than “1999.” This stunning song hits hard with just a dry guitar, keyboard, drum machine, and layered vocal, all with a P-Funk groove much tighter than anything George Clinton ever did.

1. Anything by Madonna
Whether its “Vogue,” “Into The Groove,” “Holiday,” or “Hey Mr. DJ,” we just can’t help but shake what God gave us out there on the boards whenever the perennial Material Girl’s tunes break out of the speakers.


 
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